I'm in the world. Artists are in the world . . . My role is to get artists’ work out into the world, and excite people about it [while] being respect… - Buhlebezwe Siwani

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I'm in the world. Artists are in the world . . . My role is to get artists’ work out into the world, and excite people about it [while] being respectful [and] finding artists people won’t be familiar with.

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About Buhlebezwe Siwani

Buhlebezwe Siwani (born in 1987 in Johannesburg) is a multidisciplinary artist known for her work in performance art, installations, and photographic stills.Buhlebezwe Siwani was raised in Johannesburg, and has lived in the Eastern Cape and KwaZulu Natal. Siwani completed her BAFA (Hons) at the Wits School of Arts in Johannesburg in 2011 and her MFA at the Michaelis School of Fine Arts in 2015 where she graduated cum laude. Siwani works predominantly in the medium of performance and installations, and includes photographic stills and videos of some performances. Siwani uses videos and the stills as a stand in for her body which is physically absent from the space. Her work has been described as "revelatory" and "political", encompassing themes of black womanhood and spirituality.

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Additional quotes by Buhlebezwe Siwani

If these were the works universally exalted across America’s art museums, if these were the images filling the heads of American children over generations, what would America’s conversations about race, gender and sexuality sound like today?

The first performance I did at the Theater Spektakel was basically around reparations, how we take back the land, and I used the student protests as the starting point. I started with video pieces of these different camps for Boere (Afrikaans) guys who run the camp because they think black people are going to invade and kill them all, and then I move on to the student protests, and after that I go to the land matter. It’s also about how the female black body is viewed in protests, how black women have protested certain things, and how they are kept out of protest history. If women must protest they must protest not to make a mark, you know, it’s not like you can be a part of the ANC and be there with Mandela.

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You are born here, and yet you can’t speak one vernacular language is an issue for me. You’ve had the chance, I mean you are surrounded by people, are you telling me that as a white person you are honestly not going to make that effort. I know how to speak English, I wasn’t born around people who speak English, and I was born around people who speak isiXhosa, isiZulu. Yet I know how to speak seSotho, which is totally different from my own language, and you are telling me it’s difficult to speak one. So I’m just not buying it. I’m not interested. I title my work in a language that resonates with the work. It is also to exclude, because I know you can’t speak it, and I know that most of the audience coming in need a translation, which forces you to engage with the work even further. So it’s also a conscious decision – it might be a bad strategy, but at this point in time I don’t really care – I’m going to continue doing it."

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