GEOLOGY, n. The science of the earth's crust — to which, doubtless, will be added that of its interior whenever a man shall come up garrulous out of … - Ambrose Bierce

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GEOLOGY, n. The science of the earth's crust — to which, doubtless, will be added that of its interior whenever a man shall come up garrulous out of a well. The geological formations of the globe already noted are catalogued thus: The Primary, or lower one, consists of rocks, bones or mired mules, gas-pipes, miners' tools, antique statues minus the nose, Spanish doubloons and ancestors. The Secondary is largely made up of red worms and moles. The Tertiary comprises railway tracks, patent pavements, grass, snakes, mouldy boots, beer bottles, tomato cans, intoxicated citizens, garbage, anarchists, snap-dogs and fools.

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About Ambrose Bierce

Ambrose Gwinnett Bierce (June 24, 1842 – date of death uncertain; probably late 1912 or early 1914) was an American satirist, critic, short story writer, editor and journalist. He is perhaps most famous for his serialized mock lexicon, The Devil's Dictionary, in which, over the years, he scathed American culture and accepted wisdom by pointing out alternate, more practical definitions for common words.

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Also Known As

Birth Name: Ambrose Gwinnetter Bierice
Alternative Names: Dod Grile William Herman Ambrose Gwinnett Bierce
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NOVEL, n. A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before. To the romance the novel is what photography is to painting. Its distinguishing principle, probability, corresponds to the literal actuality of the photograph and puts it distinctly into the category of reporting; whereas the free wing of the romancer enables him to mount to such altitudes of imagination as he may be fitted to attain; and the first three essentials of the literary art are imagination, imagination and imagination. The art of writing novels, such as it was, is long dead everywhere except in Russia, where it is new. Peace to its ashes — some of which have a large sale.

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Good-bye — if you hear of my being stood up against a stone wall and shot to rags please know that I think that a pretty good way to depart this life. It beats old age, disease or falling down the cellar stairs.

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