There has grown up in the minds of certain groups in this country the notion that because a man or corporation has made a profit out of the public fo… - Robert A. Heinlein

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There has grown up in the minds of certain groups in this country the notion that because a man or corporation has made a profit out of the public for a number of years, the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary to the public interest. This strange doctrine is not supported by statute or common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped, or turned back.

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About Robert A. Heinlein

Robert Anson Heinlein (7 July 1907 – 8 May 1988) was one of the most popular, influential, and controversial authors of science fiction of the 20th Century.

Biography information from Wikiquote

Also Known As

Pen Names: Anson MacDonald Lyle Monroe John Riverside Caleb Saunders Simon York
Birth Name: Robert Anson Heinlein
Alternative Names: Robert Heinlein

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Additional quotes by Robert A. Heinlein

I don’t understand time line three (code Neil Armstrong) so I had better quote Jubal Harshaw. who lived through it. “Mama Maureen,” he said to me, “the America of my time line is a laboratory example of what can happen to democracies, what has eventually happened to all perfect democracies throughout all histories. Perfect democracy, a ‘warm body’ democracy in which every adult may vote and all votes count equally, has no internal feedback for self-correction. It depends solely on the wisdom and self-restraint of other citizens…which is opposed by the folly and lack of self-restraint of other citizens. What is supposed to happen in a democracy is that each sovereign citizen will always vote in the public interest for the safety and welfare of all. But what does happen is that he votes his own self-interest as he sees it…which for the majority translates as ‘Bread and Circuses.’
“‘Bread and Circuses’ is the cancer of democracy, the fatal disease for which there is no cure. Democracy often works beautifully at first. But once a state extends the franchise to every warm body, be he producer or parasite, that day marks the beginning of the end of the state. For when the plebs discover that they can vote themselves bread and circuses without limit and that the productive members of the body politic cannot stop them, they will do so, until the state bleeds to death, or in its weakened condition the state succumbs to an invader—the barbarians enter Rome.
Jubal shrugged and looked sad. “Mine was a lovely world—until the parasites took over.”

The matter was still "Top Secret" and the subject of cabinet debates at the time of the Scranton Riot. Don't ask me why it was top secret, or even restricted; our government has gotten the habit of classifying anything as secret which the all-wise statesmen and bureaucrats decide we are not big enough boys and girls to know, a Mother-Knows-Best-Dear policy. I've read that there used to be a time when a taxpayer could demand the facts on anything and get them. I don't know; it sounds Utopian.

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"Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such."

"You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness."

"Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?”

“Huh? Well, I’ve never thought about it. You write a pretty good stick.”

“Thank you. ‘Artist’ is a word I avoid for the same reasons I hate to be called ‘Doctor.’ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only once… and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customer… reach him and affect him, if possible with pity and terror… or, if not, at least to

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