And then, some morning in the second week, the mind wakes, comes to life again. Not in a city sense — no — but beach-wise. It begins to drift, to pla… - Anne Morrow Lindbergh

Rivers perhaps are the only physical features of the world that are at their best from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose their horizons; lakes have no longer depth but look like bright pennies on the earth's surface; forests become a thin impermanent film, a moss on the top of a wet stone, easily rubbed off. But rivers, which from the ground one usually sees only in cross sections, like a small sample of ribbon — rivers stretch out serenely ahead as far as the eye can reach. Rivers are seen in their true stature.

They tumble down mountain sides; they meander through flat farm lands. Valleys trail them; cities ride them; farms cling to them; roads and railroad tracks run after them — and they remain, permanent, possessive. Next to them, man's gleaming cement roads which he has built with such care look fragile as paper streamers thrown over the hills, easily blown away. Even the railroads seem only scratched in with pen-knife. But rivers have carved their way over the earth's face for centuries and they will stay.

Now, instead of planting our solitude with our own dream blossoms, we choke the space with continuous music, chatter and companionship to which we do not even listen. It is simply there to fill the vacuum. When the noise stops there is no inner music to take its place. We must re-learn to be alone.

He could leap the corral,
If he rose
To his full height;
He could splinter the fencing light,
With three blows
Of his porcelain hoofs in flight — If he chose.
He could shatter his prison wall,
Could escape them all — If he rose,
If he chose.