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"Those who fought know a secret about themselves, and it is not very nice." … They have experienced secretly and privately their natural human impulse toward sadism and brutality. As I say in this new book of mine, not merely did I learn to kill with a noose of piano wire put around somebody's neck from behind, but I learned to enjoy the prospect of killing that way. It's those things that you learn about yourself that you never forget. You learn that you have much wider dimensions than you had imagined before you had to fight a war. That's salutary. It's well to know exactly who you are so you can conduct the rest of your life properly.
Paul Fussell (22 March 1924 - 23 May 2012) was an American cultural and literary historian, professor emeritus of the University of Pennsylvania, and author of books on eighteenth-century English literature, World War I, World War II, and social class.
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Irony is a great help in helping to penetrate fraudulent language. In the Second War especially, the language became virtually identical with the language of advertising. It was seen through by the troops, who knew what the truth was. It helped to sustain civilian support for the war, which was its purpose, after all. … And euphemism has remained, of course. It's a large part of the tone of public discourse. … It's now practiced on so wide and so official a scale that it's grown out of all proportion to what it was in the war.
Most Americans, in their sweet innocence, think that class has to do with money. But a glance at Donald Trump and Leona Helmsley will indicate that it has very little to do with money. It has to do with taste and style, and it has to do with the development of those features by acts of character. That was one of my points: to try to separate class from mercantilism or commercialism.
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I was very interested in the Great War, as it was called then, because it was the initial twentieth-century shock to European culture. By the time we got to the Second World War, everybody was more or less used to Europe being badly treated and people being killed in multitudes. The Great War introduced those themes to Western culture, and therefore it was an immense intellectual and cultural and social shock. Robert Sherwood, who used to write speeches for Franklin D. Roosevelt, once noted that the cynicism about the Second War began before the firing of the first shot. By that time, we didn't need to be told by people like Remarque and Siegfried Sassoon how nasty war was. We knew that already, and we just had to pursue it in a sort of controlled despair. It didn't have the ironic shock value of the Great War. And I chose to write about Britain because America was in that war a very, very little time compared to the British — just a few months, actually. The British were in it for four years, and it virtually destroyed British society.