Writers, poets, musicians, filmmakers – painters too, even chance reader – may find that they are Spinozists; indeed, such a thing is more likely for… - Benedictus de Spinoza

Many people who are engaged in the ecological crisis claim to have been inspired by Spinoza. They read some of Spinoza's texts or his comments on those texts. Some even read about Spinoza himself, but this does not mean that they try to find out exactly what Spinoza meant. Why should they? They make use of his image and his texts in their lives. What more could or should Spinoza expect of them? Spinoza does not write about the beauty of wild nature. Perhaps he never talked about it. Not about the coastline of the Netherlands, the storms, the variety of light and darkness, the seabirds. There were people around him, Dutch landscape painters, who appreciated all this. Maybe he did also, but it scarcely influenced what he says in the Ethics.

And what this Lange has to say about the Hegelian method and my application of the same is simply childish. First, he understands rien [nothing] about Hegel's method and, therefore, second, still less about my critical manner of applying it. In one respect he reminds me of Moses Mendelssohn. That prototype of a windbag once wrote to Lessing asking how he could possibly take ‘that dead dog Spinoza’ au sérieux ! In the same way, Mr Lange expresses surprise that Engels, I, etc., take au sérieux the dead dog Hegel, after Büchner, Lange, Dr Dühring, Fechner, etc., had long agreed that they—poor dear—had long since buried him.

In the reproach that Hegel will make to Spinoza, that he ignored the negative and its power, lies the glory and innocence of Spinoza, his own discovery. In a world consumed by the negative, he has enough confidence in life, in the power of life, to challenge death, the murderous appetite of men, the rules of good and evil, of the just and the unjust. Excommunication, war, tyranny, reaction, men who fight for their enslavement as if it were their freedom — this forms the world in which Spinoza lives. The assassination of the De Witt brothers is exemplary for him. Ultimi barbarorum. In his view, all the ways of humiliating and breaking life , all the forms of the negative have two sources, one turned outward and the other inward, resentment and bad conscience, hatred and guilt. "The two archenemies of the human race, Hatred and Re­morse." He denounces these sources again and again as being linked to man's consciousness, as being inexhaustible until there is a new consciousness, a new vision, a new appetite for living. Spinoza feels, experiences, that he is eternal.