But last night we started to work with the Samurai. Tom brought in a loosely finished piece, xeroxed copies, and we went over it. First of all, we lo… - Natalie Goldberg

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But last night we started to work with the Samurai. Tom brought in a loosely finished piece, xeroxed copies, and we went over it. First of all, we looked for where there was energy. It was mainly in the third paragraph. William Carlos Williams said to Allen Ginsberg: "If only one line in the poem has energy, then cut the rest out and leave only that one line." That one line is the poem. Poetry is the carrier of life, the vessel of vitality. Each line should be alive. Keep those parts of a piece; get rid of the rest. […] it's where our writing is burning through to brilliance that it finally becomes a poem or prose piece. And anyone can hear the difference. Something that comes from the source, from first thoughts, wakes and energises everyone. I've seen it many times in a writing group. When someone reads a really hot piece, it excites everyone. Be willing to look at your work honestly. If something works, it works. If it doesn't, quit beating an old horse. Go on writing. Something else will come up. There's enough bad writing in the world. Write one good line, you'll be famous. Write a lot of lukewarm pieces, you'll put people to sleep.