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" "It took us two years to write, produce and arrange the new album [90 Millas]. Aside from that, I wrote the two children's books based on Noelle, my bulldog, and I was fortunate enough that they ended up on the New York Times bestseller list. By now, we've got seven restaurants and two hotels, which we're very hands-on with, and we're building a third one in Vero Beach, Florida, And I took a vacation for once, because ever since Emilio and I got married in'78, every trip we've take has been for work. So last year, we went to Egypt, Panama, the Bahamas and Greece. It was fantastic!
Gloria María Milagrosa Fajardo García de Estefan (born 1 September 1957), known professionally as Gloria Estefan, is a Cuban-born American singer, songwriter, actress, and businesswoman.
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Well, you know, in the first place I'm a pretty private person. But I can assure you that I'm no saint by any means of the imagination. You know, we go to parties and we drink like any other people. But I think the key word is balance. I've been married (to keyboardist Emilio Estefan) for 28 years; we've been together for 30 years. I had my son when I was very young and my priority has always been my family. My husband has been very supportive. We live a very normal life, something that may be boring to some people. But it's a great life! We travel a lot. My son is 26 and my daughter is 11. Family is the center of our lives. We try to stay out of the tabloids.
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The only difference [between promoting a book and a CD] is when I do the readings. My fans are out there in full force, but it's nice to have all the kids there as well. I really love this evolution of writing. Writing is my core, and writing the book was like writing a really long love song. I have 31 pages to elaborate instead of three minutes. And my target audience, although it is children, I don't talk down to them. I want the parents to find it interesting. [Children] sit in my lap. I love it. I've always tried to turn an arena into an intimate setting. So, if I'm already in an intimate setting . . . You get to talk to a few hundred people, and you get to really bring them in, to have an exchange with them that often doesn't occur on the stage.