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" "I have lost faith in myself and that is why my life has gone to the devil. Why: I have been strict with myself. I love art with a passion so selfless that when I believed that I saw that I would be able to serve it better by abstaining myself, so that another [Jawlensky] could succeed – I did it. And that faith was so great that it has endured, against all the tempests. You, you, in loving me like an imperceptible current, you have destroyed the calm, the serenity of my life. It was difficult but so intact.. .And the man to whom I have given all: my spirit and my heart, my inspiration and my affection, my cares and my concerns, my energy, my faith and my confidence, to whom I have opened all the treasures of my genius and of my soul, who enjoyed understanding and help – this man [Jawlensky] looks upon me with indifference and prefers kitchen-maids [domestic servant Yelena Neznakomova, who became pregnant, and gave Jawlensky his first child: a son] to me.
Marianne von Werefkin (10 September 1860, Tula, Russia – 6 February 1938, Ascona, Switzerland) was a Russian-German-Swiss Expressionist painter and important contributor in the Munich artist-group Der Blaue Reiter. At the outbreak of the First World War, Werefkin and Jawlensky immigrated to Switzerland; in 1921 they separated. Werefkin stayed in Ascona, on Lago Maggiore where she painted her colorful imaginative landscapes in an expressionist style, till her death.
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I am a woman, I lack every [ability for] creation. I can understand everything and cannot create.. .I don't have the words to express my ideal. I am looking for the person, the man, who can give this ideal form. As a woman, wanting someone who could give the internal world expression, I met Jawlensky...
Oh, If I had been able to realize you with my hand. If the painted canvas was able to give me your dear image. The labor was you ['The Unknown'] the work of art was me – I have kissed your head, I have looked elsewhere.. .You are neither good, nor charitable. You do not know how to love. – You are only great and beautiful. I sacrificed to tenderness and still, my self, you do not know how to love.
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In: Lettres à un Inconnu, (Notebook II, p. 8) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 106