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" "The composer who is frightened of losing his artistic integrity through contact with a mass audience is no longer aware of the meaning of the word art.
Aaron Copland (November 14 1900 – December 2 1990) was an American composer of concert and film music. Instrumental in forging a distinctly American style of composition, he was widely known as “the dean of American composers.”
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I object to background music no matter how good it is. Composers want people to listen to their music, they don't want them doing something else while their music is on. I'd like to get the guy who sold all those big businessmen the idea of putting music in the elevators, for he was really clever. What on earth good does it do anybody to hear those four or eight bars while going up a few flights.
For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.