In Eden the trouble began. And even after that, Cain slew Abel. In every Paradise, there have been wars. But in the Polar cold, in the Sahara, in all… - Henry Kuttner
" "In Eden the trouble began. And even after that, Cain slew Abel. In every Paradise, there have been wars. But in the Polar cold, in the Sahara, in all inhospitable lands where men wrench a dangerous living from the hostile elements, there is comradeship in unity against the Enemy older than man, the universe in which he dwells.
About Henry Kuttner
Henry Kuttner (7 April 1915 – 4 February 1958) was an American science fiction author. He worked on many stories in close collaboration with his wife, C. L. Moore most often using the joint pseudonym "Lewis Padgett." In 2007 their most famous collaboration "Mimsy Were the Borogoves" was adapted into a film The Last Mimzy.
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Additional quotes by Henry Kuttner
"This was the southern sea. The colors that fade when coral is drawn out of its element were garishly bright here, intricate and lovely labyrinths on the bottom. Among the coral, fish went darting; and overhead a sea-bat, a devil-fish, flapped slow wings past, its stingaree tail trailing. Morays coiled by, opening their incredible, wolfish mouths at him, and many-limbed crabs scuttled sidewise over the rocks and little sandy plateaus of the bottom. Groves of seaweed and great fans of colored sponges swung with hypnotic motion, and schools of tiny striped fish went flashing in and out among them, moving all together as if with a single mind.
Pete swam down. From a cavern among the brown and purple rocks an octopus looked at him out of huge, alien eyes. Its tentacles hung and quivered. Pete swam away, hovering over an expanse of pale sand where the light from above shimmered and ran in rippling waves, his own shadow hanging spread-eagled below him. In and out of it many little creatures went scuttling busily on their underwater errands. Life here was painted in three dimensions, and there was no gravity. There was only beauty and strangeness and a hint of terror that sent pleasurable excitement thrilling through Pete's blood.
("Before I Wake")"
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I closed my eyes again, thinking of the Face. I had to force my mind to turn around in its tracks and look, for it didn't want to confront that infinite complexity again. The Face was painful to see. It was too intricate, too involved with emotions complex beyond our grasp. It was painful for the mind to think of it, straining to understand the inscrutable things that experience had etched upon those mountain-high features. "Is it a portrait?" I asked suddenly. "Or a composite? What is the Face?" "A city," De Kalb said. "A nation. The ultimate in human destiny — and a call for help. And much more that we'll never understand."