The American poet T.S. Eliot (1888–1965) was one of the few westerners who understood both the potency of Sanskrit and its relationship to dharma. He… - Rajiv Malhotra
" "The American poet T.S. Eliot (1888–1965) was one of the few westerners who understood both the potency of Sanskrit and its relationship to dharma. He studied the language at Harvard, where it was an integral part of the philosophical curriculum. Ultimately, he refrained from embracing either Hinduism or Buddhism as a result of his own cultural upbringing and conditioning. Nonetheless, Eliot demonstrated his insight into Sanskrit in his major poem 'The Waste Land' not only by exploring the multiple meanings of the phoneme 'DA' (mentioned above) but by ending his poem with the mantra ' shantih shantih shantih'. He had enough understanding of the claims made for Sanskrit not to attempt to translate this mantra. In her book, T.S. Eliot and Indic Traditions , Cleo Kearns explains that it was the poet's study of the Upanishads and Vedic texts that showed him that breath, sound and silence were at the heart of language. Eliot understood that a mantra's efficacy depends not on its meaning, per se, but on the effect that its correct utterance and accompanying breathing techniques have. While he did not use the term, he could have been speaking of mantra-shakti, or 'mantra-power', when he wrote that language works through 'syllable and rhythm, penetrating far below the conscious level of thought and feeling, invigorating every word; sinking to the most primitive and forgotten, returning to the origin and bringing something back, seeking the beginning and the end. It works through meanings, certainly, or not without meanings in the ordinary sense …'
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About Rajiv Malhotra
Rajiv Malhotra (born 15 September 1950) is an author and Hindu activist who, after a career in the computer and telecom industries, took early retirement in 1995 to establish The Infinity Foundation. Through this organization Malhotra has promoted philanthropic and educational activities in the area of Hinduism studies.
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The practice of memorizing and reciting ancient scriptures is, in many ways, more accurate than learning via the written word, for an error in recitation can be corrected immediately whereas a scribal error could go unnoticed for centuries. The West tends to think of the oral tradition as a primitive and inefficient means of knowledge transmission, one that was wisely replaced by the invention of writing. Although writing did indeed revolutionize communication, the Indian tradition retains a sense (long gone from the West) that the spoken word carries spiritual energy and is filled with presence. This understanding is reflected not only in the mantra but also in the bhajan, or sacred song.
One such critic is J. Hanneder, who finds him reaching conclusions by using evidence that is 'often arbitrary'. ... Hanneder cites several examples to demonstrate that Pollock has interpreted the evidence to fit his thesis 'without considering other options' and often with the use of exaggerated, misleading or outright false data. He says, 'Pollock has over interpreted the evidence to support his theory.' ... He dismisses Pollock's assertion as a 'surprising statement produced by the necessities of argumentation, rather than through evidence'.
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I do not contest that this top-down instrumental use for pure politics was being made to some degree; but to reduce the entire process of cultural evolution to a matter of politics betrays a profound misunderstanding. This view disregards the intrinsic appeal of the Sanskrit tradition, including for non-elites, and the various roles it played in the cultures it touched. In particular, to dismiss the entire symbolic discourse of Sanskrit as 'mystifying' is to apply a reductive Marxism that cannot account for sacredness in the lives of people.
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