<i>She has a quiet paroxysm. Now remember that these are the days before digital pornography. There is no cliché of how women are supposed to orgasm,… - Sarah Ruhl

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She has a quiet paroxysm.
Now remember that these are the days
before digital pornography.
There is no cliché of how women are supposed to orgasm,
no idea in their heads of how they are supposed to sound when they climax.
Mrs. Daldry’s first orgasms could be very quiet,
organic, awkward, primal. Or very clinical. Or embarrassingly natural.
But whatever it is, it should not be a cliché, a camp version
of how we expect all women sound when they orgasm.
It is simply clear that she has had some kind of release.

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There’s a word in Japanese for being sad in the springtime – a whole word for just being sad – about how pretty the flowers are and how soon they’re going to die.” — Sarah Ruhl

Then she said, “Your plays balance on air I mean they are air I mean they are performed in air so they are air. “If a whole city could balance on a seed then a city could balance on a play because a play is air and everything is air. “Your next play should be about a seed because a seed is smaller than an almond. Or maybe your next play should be smaller than an almond, about nothing, about air.

A suspicion that lightness is not deeply serious (but instead whimsical) pervades aesthetic discourse. But what if lightness is a philosophical choice to temper reality with strangeness, to temper the intellect with emotion, and to temper emotion with humor.

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