<i>She has a quiet paroxysm. Now remember that these are the days before digital pornography. There is no cliché of how women are supposed to orgasm,… - Sarah Ruhl

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She has a quiet paroxysm.
Now remember that these are the days
before digital pornography.
There is no cliché of how women are supposed to orgasm,
no idea in their heads of how they are supposed to sound when they climax.
Mrs. Daldry’s first orgasms could be very quiet,
organic, awkward, primal. Or very clinical. Or embarrassingly natural.
But whatever it is, it should not be a cliché, a camp version
of how we expect all women sound when they orgasm.
It is simply clear that she has had some kind of release.

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If the proper audience for poetry is God, then the proper audience for the novel is people. Plays have both stories and poetry. Therefore the proper audience for plays is: people and God. But: what is the audience for poetry in a godless universe? The audience for poetry in a godless universe is the academy. Or perhaps: other poets and therefore God? And what is the proper audience for plays in a godless universe? Is there no proper audience for plays in a godless universe? Must we invent our own gods?

This is what it is to love an artist: The moon is always rising above your house. The houses of your neighbors look dull and lacking in moonlight. But he is always going away from you. Inside his head there is always something more beautiful.

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She runs, trips and pitches down the stairs, holding her letter.
She follows the letter down, down...
Blackout. A clatter. Strange sounds — xylophones, brass bands, sounds of falling, sounds of vertigo.
Sounds of breathing.

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