"Try to remember it always," he said once Gogol had reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood w… - Jhumpa Lahiri

"Try to remember it always," he said once Gogol had reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood waiting. "Remember that you and I made this journey together to a place where there was nowhere left to go."

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About Jhumpa Lahiri

Nilanjana Sudeshna "Jhumpa" Lahiri (born July 11, 1967) is an Indian-American novelist, short story writer, and Pulitzer Prize winner.

Biography information from Wikiquote

Also Known As

Birth Name: Nilanjana Sudeshna
Native Name: ঝুম্পা লাহিড়ী
Alternative Names: Jūmpā Lāhīrī Nilanjana Svadeshna Lahiri Nilanjana Sudeshna Lahiri Jhumba Lahiri
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Remember it always. Remember that you and I made this journey and went together to a place where there was nowhere left to go.

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Remember that you and I made this journey, that we went together to a place where there was nowhere left to go.

Additional quotes by Jhumpa Lahiri

Ashoke suspects that Mrs. Jones (the secretary at his new job as a professor) ...is about his own mother's age. Mrs. Jones leads a life that Ashoke's mother would consider humiliating: eating alone, driving herself to work in snow and sleet, seeing her children and grandchildren, at most, three or four times a year.

(What immigrant fiction has been the most important to you, both personally and as an inspiration for your own writing?) I don’t know what to make of the term “immigrant fiction.” Writers have always tended to write about the worlds they come from. And it just so happens that many writers originate from different parts of the world than the ones they end up living in, either by choice or by necessity or by circumstance, and therefore, write about those experiences. If certain books are to be termed immigrant fiction, what do we call the rest? Native fiction? Puritan fiction? This distinction doesn’t agree with me. Given the history of the United States, all American fiction could be classified as immigrant fiction. Hawthorne writes about immigrants. So does Willa Cather. From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.

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Every time my surroundings change I feel enormous sadness. It’s not greater when I leave a place tied to memories, grief, or happiness. It’s the change itself that unsettles me, just as liquid in a jar turns cloudy when you shake it. — italo svevo, essays and uncollected writings

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