In the Mahabharata, the ceremony for the oath of a new king includes the admonition: 'Be like a garland-maker, O king, and not like a charcoal burner… - Rajiv Malhotra

From the seventeenth century onwards, Christian missionaries made scathing attacks on the Indian classical dance-forms, seeing them as a heathen practice. This was often expressed by attacking the devadasi system on the grounds of human rights. The devadasis were temple dancers, dedicated in childhood to a particular deity. The system was at its peak in the tenth and eleventh centuries, but a few hundred years later, the traditional system of temples protected by powerful kings had faded away under Mughal rule, especially since the Mughals turned it into popular entertainment, devoid of spirituality. The devadasi system degenerated in some cases into temple dancers used for prostitution, although the extent of this was exaggerated by the colonialists.

There have been sporadic attempts at using dharmic categories to contest the Western gaze and gaze back, as it were, even though these were not quite purva paksha as I am defining it. For instance, in the 1990s, anthropologist McKim Marriott, in his anthology of academic conference papers, refers to the importance of developing and deploying Indian categories of social thought and analysis, not only to understand the subcontinent better but to refine, develop and render less parochial the study of various cultures in general. 38 Marriott emphasizes how distorting and limiting Western universalism can be, and goes on to note that common distinctions in the West, such as Marx's opposition between material base and superstructure, and Durkheim's separation between sacred and profane, cannot capture the fluid and complex realities one finds in dharmic civilizations. He also points out that the West's constant search for an elusive stability is based on the presupposition that all societies are prepared to accept European and American notions of order rather than other, more fluid categories of social and political identity.

Malhotra writes with passion from within an avowedly dharmic stance, undermining the attempts to domesticate and expropriate Indian traditions in a process of inter-religious dialogue that is ultimately based on a Western cosmological framework. This book is essential reading for Western scholars.