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In youth it is the outward aspect of things that most engages us; while in age, thought or reflection is the predominating quality of the mind. Hence, youth is the time for poetry, and age is more inclined to philosophy. In practical affairs it is the same: a man shapes his resolutions in youth more by the impression that the outward world makes upon him; whereas, when he is old, it is thought that determines his actions.

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I am beginning to understand the true difference between youth and age. Young people have time to make plans and think of new ideas. Older people need their whole energy to keep up with what’s already been set in motion.

Each young person is a poet of sorts, trying to sort out the poetics of their inner life and its relation to the great world around it. Each elder is a philosopher of sorts, trying to sort out the meanings and gleanings of a life as well as the necessary implications of the presence of death.

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Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life. Youth means a temperamental predominance of courage over timidity of the appetite, for adventure over the love of ease. This often exists in a man of sixty more than a boy of twenty. Nobody grows old merely by a number of years. We grow old by deserting our ideals. Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spirit back to dust. Whether sixty or sixteen, there is in every human being's heart the lure of wonder, the unfailing child-like appetite of what's next, and the joy of the game of living.

I am firmly convinced to-day that, generally speaking, it is in youth that men lay the essential groundwork of their creative thought, wherever that creative thought exists. I make a distinction between the wisdom of age- which can only arise from the greater profundity and foresight that are based on the experiences of a long life- and the creative genius of youth, which blossoms out in thoughts and ideas with inexhaustible fertility, without being able to put these into practice immediately, because of their very superabundance. These furnish the building materials and plans for the future; and it is from them that age takes the stones and builds the edifice, unless the so-called wisdom of the years may have smothered the creative genius of youth.

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You know well enough what I mean by youth and age;—something in the soul, which has no more to do with the color of the hair than the vein of gold in a rock has to do with the grass a thousand feet above it.

It's odd but even when I was a kid, I would write about "old and other times" as though I had a lot of years behind me. Now I do, so there is a difference in the weight of memory. When you're young, you're still "becoming", now at my age I am more concerned with "being". And not too long from now I'll be driven by "surviving", I'm sure. I kind of miss that "becoming" stage, as most times you really don't know what's around the corner. Now, of course, I've kind of knocked on the door and heard a muffled answer. Nevertheless, I still don't know what the voice is saying, or even what language it's in.

Poets are never young, in one sense. Their delicate ear hears the far-off whispers of eternity, which coarser souls must travel towards for scores of years before their dull sense is touched by them. A moment's insight is sometimes worth a life's experience.

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Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.” “And memory.” “Yes, memory. Without that, time would be unarmed against us.

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