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" "The metaphysics of substance. The strange feeling which comes over us when we sense: this is skin – this is bone – all in a single vision that is completely unearthly. The dreaminess of our existence mixed at the same time with the indescribably sweet illusion of reality.
Max Beckmann (February 12, 1884 – December 28, 1950) was a German painter and print-maker. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s Beckmann was temporarily and wrongly associated with German New Objectivity (Neue Sachlichkeit).
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Often, very often, I am alone. My studio in Amsterdam, [Beckmann lived and worked in the heart of Amsterdam during World War 2.] an enormous old tobacco storeroom is again filled in my imagination with figures from the old days and from the new, like an ocean moved by storm and sun and always present in my thoughts. Then shapes become beings and seem comprehensible to me in the great void and uncertainty of the space which I call god.