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" "When photography appeared in the nineteenth century, it offered a new challenge to the mullahs’ theological acrobatics. Muslims wishing to be photographed remembered the Hadiths against pictorial representation. They were glad to be told that since photographs were made by God Himself through the agency of His Sun they were not under the ban of the paintings by presumptuous human artists. Yet in much of the Muslim world, photographs remained under the Prophet’s ban. A Muslim photographer in Delphi, who had spent many years successfully photographing people in groups, in an onrush of conscience finally destroyed all his plates.
Daniel J. Boorstin (1 October 1914 – 28 February 2004) was an American historian, professor, attorney, and author. He served as the director of the Smithsonian’s National Museum of American History in 1969-1973 and was the Librarian of Congress from 1975 to 1987. His book trilogy, The Americans: The Colonial Experience, The National Experience, and The Democratic Experience received the Bancroft Prize, the Pulitzer Prize, and the Francis Parkman Prize. In 1989, the Medal for Distinguished Contribution to American Letters was bestowed upon him.
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We try to make our celebrities stand in for the heroes we no longer have, or for those who have been pushed out of our view... Yet the celebrity is usually nothing greater than a more-publicized version of us. In imitating him, in trying to dress like him, talk like him, look like him, think like him, we are simply imitating ourselves.
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The first literary work in prose was history. And we call Herodotus (c.480–c.425 B.C.) the Father of History because his is the earliest surviving work in Greek prose that aimed to give literary form to an extended narrative of the past. The Greek historie means “inquiry” or the search for truth. Herodotus might also perhaps be called the Father of Prose, for until his time verse was still the normal vehicle for narratives of great events and heroes of the past.