Then [after Castro dies and her triumphal return to Havana], at last, I could sing for my people. - Gloria Estefan

[I've] written all original music [for the forthcoming Spanish-language CD], as was [1993's] "Mi tierra" -- years back. It's very organic. It's really down to the roots. I'm in love with that record. It's very rhythmic. It's a very passionate record, and I'm thrilled. It should come out next summer. And a single probably early on in the summer. The album probably will be [out] around September .

If I had to take everything into consideration, [the truly essential song] would have to be "Conga." First, because I don't think I can get away with not performing that song in some shape or form. Second, because it started the possibility of "Mi Tierra" [Estefan's top-selling Spanish album] happening. Not only did it talk about a specific rhythm of my homeland [Cuba], it talked about being Latino, and the celebratory nature of dance. It was very musically forward in that it mixed a funk bassline and a 2/4 beat on the drums and the Latin percussion. It was something that really put us on the map. And even though it's a frivolous and fun song, it talks about who we are as immigrants in this land.

We wanted to show the influence Cuban music has had on musicians from all over, so we invited 25 of the top Latin musicians in the world, and it was a great honor they paid me. Some of them are actually inventors, like Cachao, the Cuban bassist credited with creating mambo.