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Many producers state without blinking that the audience wants a happy ending. They say this because up-ending films tend to make more money than down-ending films. The reason for this is that a small percentage of the audience won't go to any film that might give it an unpleasant experience. Generally their excuse is that they have enough tragedy in their lives. But if we were to look closely, we'd discover that they not only avoid negative emotions in movies, they avoid them in life. Such people think that happiness means never suffering, so they never feel anything deeply. The depth of our joy is in direct proportion to what we've suffered. Holocaust survivors, for example, don't avoid dark films. They go because such stories resonate with their past and are deeply cathartic.
In actual life, of course, we live and have experiences, have certain emotions. But I think movies have shown depths of emotions and kinds of emotion that we might not normally come across in our own lives. So we are emotionally educated by seeing films. And some of our emotions might be much more heightened than they are in real life. I wonder sometimes and I worry that I might have become a person that is capable of a murder, for example, because of that deep emotion that we are able to feel through movies.
You experience a lot more pain than normal people -- your mom dies, your dad dies, your boyfriend chucks you, you live in the street, and you're really going through these emotions. You're trying to know what it feels like to watch a man die in front of you, as if you've really lived it. Once that division is gone, it gets blurry -- you look back at a shoot and think, was I really that sad because in the film my boyfriend didn't like me -- or was it something else, something real?
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The tough thing about horror movies is that you have to maintain that high level of terror a lot of the time- and for a long period of time too- that after a 13- or 14-hour day, you just feel god-awful. You feel horrible, almost to the point where you feel like you want to throw up but then you just start playing little psychological mind games with yourself to keep yourself going.
Many people effectively stop carrying out what it's called "life's a movie." The majority of people want to be like others, and this drives them to a death in life. It is necessary to find what distinguishes us from others in order to be something. To the extent that we try to be like others, we convert ourselves into zombies.
Nooo! Leave that to George Lucas, he' s really mastered the CGI acting. That scares me! I hate it! Everybody is so pleased and excited by it. Animation is animation. Animation is great. But it's when you're now taking what should be films full of people, living thinking, breathing, flawed creatures and you're controlling every moment of that, it's just death to me. It's death to cinema, I can't watch those Star Wars films, they're dead things.
Traditionally there's this barrier between the people who make movies and the people who watch them, and I think it sucks. Making Hollywood this castle on a hill and crowning actors the "Stars" might have been exciting and even brought people together last century, but now it's grown kind of disgusting in its excesses and it's no longer bringing people together—it's keeping people apart. It always turns my stomach a little when, because I'm in movies and on TV, people sometimes treat me as if I'm somehow different from, even above, a normal person. But the emails, posts, and comments I've been trading recently with people through those aforementioned sites cause me no nausea; they inspire me. There's no nasty status predicated on "Fame" or "Fortune." There's just that beautiful thing, the point of all art in the first place: a connection between one individual and another.
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