A city that had learned to make good bread had learned to make good cake also. A city that built itself up by good sense and industry had formed a po… - Rebecca West

works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.

As we passed by on the stony causeway, women looked up at us from the fields, their faces furrowed with all known distresses. By their sides, lambs skipped in gaiety and innocence, and goats skipped in gaiety but without innocence, and at their feet the cyclamens shone mauve; the beasts and flowers seemed fortunate because they are not human, as those who have passed within the breath of a plague and have escaped it.

He is in his late sixties, but has the charm of extreme youth, for he comes to a pleasure and hails it happily for what it is without any bitterness accumulated from past disappointments, and he believes that any moment the whole process of life may make a slight switch-over and that everything will be agreeable for ever. His manners would satisfy the standards of any capital in the world, but at the same time he is exquisitely, pungently local.