Non-combatant, n. A dead Quaker. - Ambrose Bierce

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Non-combatant, n. A dead Quaker.

English
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About Ambrose Bierce

Ambrose Gwinnett Bierce (June 24, 1842 – date of death uncertain; probably late 1912 or early 1914) was an American satirist, critic, short story writer, editor and journalist. He is perhaps most famous for his serialized mock lexicon, The Devil's Dictionary, in which, over the years, he scathed American culture and accepted wisdom by pointing out alternate, more practical definitions for common words.

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Also Known As

Birth Name: Ambrose Gwinnetter Bierice
Alternative Names: Dod Grile William Herman Ambrose Gwinnett Bierce
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Additional quotes by Ambrose Bierce

INADMISSIBLE, adj. Not competent to be considered. Said of certain kinds of testimony which juries are supposed to be unfit to be entrusted with, and which judges, therefore, rule out, even of proceedings before themselves alone. Hearsay evidence is inadmissible because the person quoted was unsworn and is not before the court for examination; yet most momentous actions, military, political, commercial and of every other kind, are daily undertaken on hearsay evidence. There is no religion in the world that has any other basis than hearsay evidence. Revelation is hearsay evidence; that the Scriptures are the word of God we have only the testimony of men long dead whose identity is not clearly established and who are not known to have been sworn in any sense. Under the rules of evidence as they now exist in this country, no single assertion in the Bible has in its support any evidence admissible in a court of law. It cannot be proved that the battle of Blenheim ever was fought, that there was such as person as Julius Caesar, such an empire as Assyria.

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NOVEL, n. A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before. To the romance the novel is what photography is to painting. Its distinguishing principle, probability, corresponds to the literal actuality of the photograph and puts it distinctly into the category of reporting; whereas the free wing of the romancer enables him to mount to such altitudes of imagination as he may be fitted to attain; and the first three essentials of the literary art are imagination, imagination and imagination. The art of writing novels, such as it was, is long dead everywhere except in Russia, where it is new. Peace to its ashes — some of which have a large sale.

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