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" "How well I would write if I were not here! If between the white page and the writing of words and stories that take shape and disappear without anyone's ever writing them there were not interposed that uncomfortable partition which is my person! Style, taste, individual philosophy, subjectivity, cultural background, real experience, psychology, talent, tricks of the trade: all the elements that make what I write recognizable as mine seem to me a cage that restricts my possibilities. If I were only a hand, a severed hand that grasps a pen and writes... Who would move this hand? The anonymous throng? The spirit of the times? The collective unconscious? I do not know. It is not in order to be the spokesman for something definable that I would like to erase myself. Only to transmit the writable that waits to be written, the tellable that nobody tells.
Italo Calvino (October 15, 1923 – September 19, 1985) was an Italian journalist and writer of short stories and novels. Lionized in Britain and America, he was, at the time of his death, the most-translated contemporary Italian writer.
Biography information from Wikiquote
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That mesh of leaves and twigs of fork and froth, minute and endless, with the sky glimpsed only in sudden specks and splinters, perhaps it was only there so that my brother could pass through it with his tomtit’s thread, was embroidered on nothing, like this thread of ink which I have let run on for page after page, swarming with cancellations, corrections, doodles, blots and gaps, bursting at times into clear big berries, coagulating at others into piles of tiny starry seeds, then twisting away, forking off, surrounding buds of phrases with frameworks of leaves and clouds, then interweaving again, and so running on and on and on until it splutters and bursts into a last senseless cluster of words, ideas, dreams, and so ends.
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إنه ينبغي علينا أن نخصص في فترة النضج وقتًا لإعادة اكتشاف أهم قراءاتنا التي قمنا بها في الصبا. فإذا كانت الكتب لا تتغير -وهي في الواقع تتغير علي ضوء منظور تاريخي مختلف- فنحن أنفسنا تغيرنا ولقاؤنا الجديد يشكل أحداثًا جديدة.ولهذا فإن كل قراءة جديدة لعمل كلاسيكي هي اكتشاف، مثلها مثل القراءة الأولي. وكل قراءة أولى لعمل كلاسيكي هي في الحقيقة قراءة جديدة.