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I am being vilified by feminists for merely having a common-sense attitude about rape. I loathe this thing about date rape. Have twelve tequilas at a… - Camille Paglia
" "I am being vilified by feminists for merely having a common-sense attitude about rape. I loathe this thing about date rape. Have twelve tequilas at a fraternity party and a guy asks you to go up to his room, and then you're surprised when he assaults you? Most women want to be seduced or lured. The more you study literature and art, the more you see it. Listen to Don Giovanni. Read The Faerie Queene. Pursuit and seduction are the essence of sexuality. It’s part of the sizzle. Girls hurl themselves at guitarists, right down to the lowest bar band here. The guys are strutting. If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them. Women have the right to freely choose and to say yes or no. Everyone should be personally responsible for what happens in life. I see the sexual impulse as egotistical and dominating, and therefore I have no problem understanding rape. Women have to understand this correctly and they'll protect themselves better. If a real rape occurs, it's got to go to the police. The business of having a campus grievance committee decide whether or not a rape is committed is an outrageous infringement of civil liberties. Today, on an Ivy League campus, if a guy tells a girl she's got great tits, she can charge him with sexual harassment. Chickenshit stuff. Is this what strong women do?
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About Camille Paglia
Camille Paglia (born 2 April 1947) is an American author, scholar, feminist and critic, best known for writing Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, a survey of Western art and literature from earliest recorded history to the 20th Century.
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Camille Anna Paglia
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Additional quotes by Camille Paglia
The idea that these post-structuralists and postmodernists are heirs of the 1960s revolution is an absolute crock. [...] This was an elistist form from the start. It was not progressive. It was not revolutionary. It was reactionary. It was a desperate attempt to hold on to what had happened before the 1960s sensory revolution. But this postmodernist thing, this trashing of the text, this encouragement of a superior and destructive attitude toward the work of art. We're going through it, primly with red pen in hand, finding all the evidence of sexism check, racism check, homophobia check. That is not the empathic emotional sensory-based revolution of the 1960s. I am sick and tired of these people claiming any kind of mantle from the 1960s. They're frauds! What happened in the 1970s was a collapse of the job market in academia. All of a sudden jobs were scarce and this thing was there, the new and improved and shiny thing, to be a theorist. And people seized on it. It was institutionalized. And it is an enormous betrayal of the 1960s.
Economic analysis is the first principle of Marxism. Professors who were genuine leftists would have challenged the entire economics-driven machinery of American academe — the wasteful multidepartmental structure, the divisive pedantry of overspecialization, the cronyism and sycophancy in recruitment and promotion, the boondoggling ostentation of pointless conferences, the exploitation of graduate students and part-time teachers, the subservience of faculty to overpaid administrators, the mediocrity and folly of the ruling cliques of the Modern Language Association.
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