We witness in the eighteenth century the preparation of the French Revolution by individualism and the degeneration of the old "liberal" trends into … - Erik von Kuehnelt-Leddihn

If medieval man would have been told that he could "appoint" his kings or superiors, he might have become quite interested in the proposition. Yet on discovering that his vote was scheduled to be drowned in an ocean of millions of other votes his reaction would have been that of a man whose leg had been pulled successfully.

This pagan geocentrism has changed the very content of our culture. The "happy end" of the cheap, popular novels and the films is nothing but the outcome of the supposition that the human drama finds its ultimate conclusion here on earth. The Calvinists in their materialism took a similar attitude. The more subtle Atheist, of greater experience, has contempt for the "happy end" and substitutes for it a stubborn heroical pessimism which comes pretty near to integral despair. The modern Catholic French writers like Mauriac and Bernanos avoid the happy end in relation to this life. Paul Claudel, in L'Ôtage, expresses his disbelief in earthly justice by punishing the people of good will and rewarding the villains in the last scene of this play. For the Christian the earth is essentially a "vale of tears."

It should not be forgotten that none of us lacks the herd instinct completely and that there is scarcely a human being who is totally devoid of the romantic spirit. But while the herd instinct of those "who want to march through life together, along the collective path, shoulder to shoulder, wool rubbing wool and the head down" (José Ortega y Gasset)—is of the animalistic order, the romantic spirit is purely human, divine. The plenitude of life so eagerly sought by the Romantic, as here conceived, is inaccessible to the animal. The terrifying diversity of the total cosmos (visible as well as invisible) has no meaning for the termite or the herdist with their limited existences in their limited buildings.