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" "Respect for the unknown is the attitude of those who, instead of raping nature, woo her until she gives herself. But what she gives, even then, is not the cold clarity of the surface but the warm inwardness of the body - a mysteriousness which is not merely a negation, a blank absence of knowledge, but the positive substance which we call wonderful.
Alan Wilson Watts (6 January 1915 – 16 November 1973) was an English philosopher, writer, speaker, and expert in comparative religion.
Biography information from Wikiquote
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Le Zen sous-entend que l'on suive e mouvement de la vie, sans valoir ni l'arrêter ni interrompre son cours. C'est la raison pour laquelle on le définit quelquefois comme « un chemin sans détours », ou un « le fait d'aller droit devant soi ». Une telle attitude suppose une compréhension immédiate des choses en tant que vie et mouvement et non simplement en tant que sensations et concepts, lesquels ne sont que les symboles morts d'une réalité vivante. POur cette raison, Takuan commente l'arte de l'escrime (kendo) — un art profondément imprégné des principes zen — en ces termes:
« Cette qualité, qu'on peut désigner par l'attitude mentale de ''non-ingérence'', constitue l'élément le plus vital tant dans l'art de l'escrime, que dans le Zen. Si deux actions sont distantes, même de l'épaisseur d'un cheveu, il y a interruption. »
Lorsqu'on tape dans ses mains, le son se dégage immédiatement. Le son n'attend, ni ne pense avant de sortir. Il n'y a aucun état intermédiaireL un mouvement succède à un autre, sans l'intervention du mental conscient. Si vous êtes indécis et si vous réfléchissez à ce qu'il convient de faire, au moment où votre adversaire est prêt à vous abattre, vous lui laissez la place, c'est-à-dire la possibiliité de vous porter un coup fatal. Que votre défense suive l'attaque, sans intervalle, et il n'y aura pas deux mouvements séparés appelés attaque et défense.
For when we have Eros dominated by reason instead of Eros expressing itself with reason, we create a culture that is simply against life, in which the human organism has to submit more and more to the needs of mechanical organization, to postpone enjoyment in the name of an even more futile utility.
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ALMOST EVERY FUNDAMENTAL PRINCIPLE OF LIFE can be expressed in two opposite ways. There are those who say that to attain the highest wisdom we must be still and calm, immovable in the midst of turmoil. And there are those who say that we must move on as life moves, never stopping for a moment either in fear of what is to come or to turn a regretful glance at what has gone. The former are as those who listen to music, letting the flow of notes pass through their minds without trying either to arrest them or to speed them on. Like Chuang-tzu’s perfect man, they employ their minds as a mirror: it grasps nothing; it refuses nothing; it receives, but does not keep. The latter are as those who dance to music, keeping pace with its movement and letting their limbs flow with it as unceasingly and as unhesitatingly as clouds respond to the breath of wind. The one seems to reflect events as they pass, and the other to move forward with them. Both points of view, however, are true, for to attain that highest wisdom we must at once walk on and remain still. Consider life as a revolving wheel set upright with man walking on its tire. As he walks, the wheel is revolving toward him beneath his feet, and if he is not to be carried backward by it and flung to the ground he must walk at the same speed as the wheel turns. If he exceeds that speed, he will topple forward and slip off the wheel onto his face. For at every moment we stand, as it were, on the top of a wheel; immediately we try to cling to that moment, to that particular point of the wheel, it is no longer at the top and we are off our balance. Thus by not trying to seize the moment, we keep it, for the second we fail to walk on we cease to remain still. Yet within this there is a still deeper truth. From the standpoint of eternity we never can and never do leave the top of the wheel, for if a circle is set in infinite space it has neither top nor bottom. Wherever you stand is the top, and it revolves only because you are