thinking that they’re the authentic ones, because implicit in that is that we are somehow deficient. And honestly, if there’s no other point to Diasp… - Eli Valley

I am inspired by grotesque art. I like it.

I call Trump Netanyahu with smaller hands in the introduction. Netanyahu shares a lot in common with Trump. Including demagoguery, bigotry, attacks on the press, attacks on institutions of democracy, attacks on human rights organizations. I don’t know if Trump has gone that far yet, but he will. It’s a similar method of autocrats. It was inconceivable to me for the past ten years that anyone in a Jewish communal organization or institution would allow Netanyahu into its doors, because he’s the kind of thing that we have feared. And yet, he’s the head of the Jewish state.

I found MAD comics from the 1950s very informative and influential, and also obviously the independent comics from the ’60s and ’70s, which emerged partly because MAD comics had to be suppressed, as a result of Congressional hearings and the self-censorship of the comics code in 1954. That sort of led, indirectly, to the independent comics explosion in the ’60s, which were almost all influenced in some way by the MAD comics. But also, I see MAD comics as one of the pinnacles of diaspora Jewish culture — not just because they were throwing in Yiddish words everywhere, but because they were, in many ways, anti-establishment at a time when Jews had not yet been accepted by the mainstream in terms of culture and politics. So MAD is, a lot of the time, mocking consumerism and red-baiting and conformity in 1950s America, and it was largely the product of these outsider Jewish kids in New York, who were the children of immigrants.