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" "I think that’s when I realized that my favorite thing to write is about my life, but with some fictional things thrown in. I think that’s a good thing to do with comics because I think the line between fiction and truth is blurred in comics in a way that it is isn’t in writing because in writing with magical realism it’s really obvious that you’re lying. In a comic, you could just like draw a ghost there and you don’t need to explain why it’s there. It’s a lot simpler and less involved
Liana Finck (born 1986) is a cartoonist and author living in the US. She is the author of Passing for Human and is a regular contributor to The New Yorker.
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If you're a gentleman and you're wandering around in a garden and you're inspired and you write a haiku, that's real creativity. But if you have to make 1,000 cakes to sell, you're not going to put your soul into it. It's a matter of scale. I think great art is often the gentleman writing the haiku, but in order to be an artist you also need to be able to make 1,000 cakes in an afternoon.
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My grandma gave me the “Bintel Brief” book that she had—this collection of letters that was published in 1971—that’s when all the jadedness fell away. I was transported...The book (“Bintel Brief”) is a collection of short stories based on letters written to the Yiddish advice column “A Bintel Brief” that ran in the newspaper the Forward beginning in 1906. The letters were very intense—they were by new immigrants to the United States from Eastern Europe, and they deal with a lot of life-or-death issues—but they are also funny, weird, and sweet.