You mention the circle and I agree with your definition.. ..why does the circle fascinates me? It is (1) the most modern form, but asserts itself unc… - Wassily Kandinsky

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You mention the circle and I agree with your definition.. ..why does the circle fascinates me? It is (1) the most modern form, but asserts itself unconditionally, (2) a precise but inexhaustible variable, (3) simultaneously stable and unstable, (4) simultaneously loud and soft, (5) a single tension that caries countless tensions within it. The circle is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form, and in balance. Of the three primary forms (triangle, square, circle), it points most clearly to the fourth dimension.

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About Wassily Kandinsky

Wassily Wassilyevich Kandinsky (December 4 or 16, 1866 - December 13, 1944) — was a Russian painter and art theorist and one of the leading figures in Blaue Reiter. One of the most important 20th-century artists, he is credited with painting the first modern abstract art works.

Also Known As

Alternative Names: Wassily Wassiljewitsch Kandinsky Vasili Vasilevich Kandinsky Vasilii Vasilevich Kandinskii Vasily Vasil'yevich Kandinsky Vasilij Kandinski Vasilij Vasil'evic Kandinskij Vasily Kandinsky Vasilij Kandinskij Vasily. Kandinsky Vasilij Vasil'evič Kandinskij Wassili Kandinsky Wassily Wassilyevich Kandinsky Vasili Vasileevich Kandinsky Vasilĭi Vasilʹevich Kandinskĭi Vasilij Vasilijevitch Kandynski Wassily Kandinski Basile W. Kandinsky Wahsili Kang-ting-ssu-chi Vassily Kandinsky Kandinsky w. kandinsky Vasili Vasil'evich Kandinski

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Additional quotes by Wassily Kandinsky

First I will make different color tests: I will study the dark – deep blue, deep violet, deep dirty green, etc. Often I see the colors before my eyes. Sometimes I imitate with my lips the deep sounds of the trumpet – then I see various deep mixtures which the word is uncapable od conceiving and which the palette can only feebly reproduce.

An artist who sees that the imitation of natural appearances, however artistic, is not for him – the kind of creative artist who wants to, and has to express his own inner world – sees with envy how naturally and easily such goals can be attained in music, the least material of the arts today. Understandably, he may turn toward it and try to find the same means in his own art. Hence the current search for rhythm in painting, for mathematical abstract construction.. ..the way colors are set in motion, etc.

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