This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game b… - Joshua Waitzkin
" "This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game,
About Joshua Waitzkin
Joshua Waitzkin (born 4 December 1976) is an American chess player, martial arts competitor, and author. He is the subject of a major motion picture, Searching for Bobby Fischer, a movie based on the book Searching for Bobby Fischer: The Father of a Prodigy Observes the World of Chess, by his father, Fred Waitzkin.
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Additional quotes by Joshua Waitzkin
I had been to this tournament twice before and both times was shocked by the mendacity of the judges. This time the pattern was familiar to me. Basically, this is how it works: There is grand ceremony welcoming the foreigners, but they don’t want us to win. The way they tend to steer results is by making some horrific calls early in the match to get the momentum going in the direction of the local player. Usually when a foreign competitor starts to feel that the match is rigged he gets increasingly desperate and over-aggressive. Instead of competing with presence he becomes overwrought and caught up in a downward spiral. His game falls apart. Then, once the Taiwanese player is in control of the match, the judging becomes exceedingly fair. In fact, they become overly kind to create the illusion of fairness.
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In performance training, first we learn to flow with whatever comes. Then we learn to use whatever comes to our advantage. Finally, we learn to be completely self-sufficient and create our own earthquakes, so our mental process feeds itself explosive inspirations without the need for outside stimulus.