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" "It's a dream for any artist to have a catalogue of music that would be considered his greatest hits. For me, as a singer and songwriter, to release a collection of music that spans over two decades of my life and career is especially meaningful. Those songs represent a life in progress. As it is with any life, people and experiences become a part of one's creations and helped give birth to twenty-four albums. I would like to dedicate this body of work -- especially "Nayib's Song" and "Along Came You" -- to my two beautiful children who inspired those songs and who inspire me on a daily basis, and whom I consider my best works to date. I owe a great deal of gratitude to all of my fans who have ridden this incredible rollercoaster of life with me and who are the reason I have tried to remain true to the gift I have been granted: that of making music. And although it's very difficult to decide what is truly essential, you can be sure that what is in this collection is what you -- the fans across the world -- made into hits. And for that, I will be eternally thankful.
Gloria María Milagrosa Fajardo García de Estefan (born 1 September 1957), known professionally as Gloria Estefan, is a Cuban-born American singer, songwriter, actress, and businesswoman.
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We are trying to celebrate in the new album -- 90 Miles [coming out in the summer of 2007] is the fact that after almost 50 years our homeland [Cuba] is not ours. We have amazing musicians on board preparing this album, and some continue to come on board. It's all new music we've written - all new stuff . . . No relaxing for me . . . I've got the Connie Francis screenplay I'm working on, which we just finished. We have a producer . . . I've got to meet the director that I'm going to go hammer . . . I've been working on it since 2000 with Connie Francis, who is darling. Plus, I'm a mommy . . . I take her [12-year-old Emily] to games, take her to school, pick her up . . . We're women, we're used to [constantly juggling responsibilities].
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'Live for Loving You' is a kind of song that really can live in many different genres. And, of course, when you do your live performances the first time that you perform a song you want to stay true to the record: because that's what people want to hear, they want to hear the hit. But then after you have done it fifty thousand times and through many, many different tours, you start experimenting and doing stuff to surprise people. So, the cut that we are doing here for the "iTunes Original" is something that we love to do -- because we just took it and really broke it down to a Samba. You know, the Brazilians have an amazing edge -- percussively, I think -- they have amazing rhythms. And this song really fit that rhythm very nicely. So, we wanted to do it acoustically and really cool -- and like we've done many times on tour. Just break it down to just acoustic, no synths and things of that nature: just make it organic. And I love that song for that reason: because you could perform it with just a couple of bongos and some vocals if you had to. And it would still work.