We can be laughed into silence for attempting to speak in praise of phenomena which we lack the right words to describe. We may censor ourselves befo… - Alain de Botton
" "We can be laughed into silence for attempting to speak in praise of phenomena which we lack the right words to describe. We may censor ourselves before others have the chance to do so. We may not even notice that we have extinguished our own curiosity, just as we may forget we had something to say until we find someone who is willing to hear it.
About Alain de Botton
Alain de Botton (born 20 December 1969) is a Swiss-born British philosopher and author. His books and television programs discuss various contemporary subjects and themes in a philosophical style, emphasizing philosophy's relevance to everyday life. De Botton comes from a Sephardic Jewish family, originating from a small Castilian town of Boton (now vanished) on the Iberian peninsula.
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Additional quotes by Alain de Botton
Secular society has been unfairly impoverished by the loss of an array of practices and themes which atheists typically find it impossible to live with because they seem too closely associated with, to quote Nietzsche’s useful phrase, ‘the bad odours of religion’. We have grown frightened of the word morality. We bridle at the thought of hearing a sermon. We flee from the idea that art should be uplifting or have an ethical mission. We don’t go on pilgrimages. We can’t build temples. We have no mechanisms for expressing gratitude. Strangers rarely sing together. We are presented with an unpleasant choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle or just charming rituals for which we struggle to find equivalents in secular society.
Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to....
How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object — whether a square of canvas, a chair or a clay jug — and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see.
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