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" "The genius of the Christian ethic is to point out in the simplest of ordinary lives, accessible to all and comprehensible by all, the concrete conditions – the circumstances, as it were – in which the extraordinary event is produced by which the ego’s life will be changed into God’s. As an example, let us consider the parable of the Good Samaritan (whose good deed is terrifyingly represented by Luca Giordano in the painting in the Rouen Museum). Someone like the priest or Levite, who passes by without helping the man robbed by brigands who has been thrown down and is covered with wounds – that person now advances along the route to perdition without knowing it. By contrast, the Samaritan, setting aside his own business, all preoccupations about himself or his interests, is concerned only with the unfortunate one. Taking him to an inn, having him tended, paying for everything – in short, practicing mercy, he has done everything that could be done to “inherit eternal life” (Luke 10:25-37). If such is the metaphysical destiny of the protagonists in the parable, it is good that acts are what count.
Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.
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In the self-revelation of Life reality is given birth, any possible reality. […] This is why, from now on, we must reject an idea found in Hegel’s philosophy – and in its by-products such as its most tenacious expression, Marxism – before determining in turn many of the commonplaces of modern thought. This is the idea that Christianity is a flight from reality, inasmuch as it is a flight from the world. But if reality resides in Life and only in Life, this reproach disintegrates to the point of ultimately appearing as a non-sense. […] The content of Life – what it experiences – is Life itself, refers back to a more fundamental condition, to the very essence of the “Living,” to a mode of revelation whose specific phenomenality is the flesh of a pathos, pure affective material, in which any cleavage, any separation, finds itself radically excluded. It is uniquely because such is the phenomenological matter of which this revelation is made that we can say that in this revelation what reveals and what is revealed are one and the same. It is this pathetik phenomenological substance of living that defines and contains any conceivable “reality.”