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" "I suppose that to the bulk of Englishmen present today the Indian Mutiny of 1857 is already a tradition, rather than a memory. It happened before many of us were born. Already it is receding into the dim corridors of the past, and is surrounded with an almost mystic halo as one of the great national epics of our race. But to all of us, young or old, it is one of the combined tragedies and glories of the British nation—a tragedy because there were concentrated into those terrible months the agony and the suffering almost of centuries; a glory because great names leaped to light, high and ennobling deeds were done, and best of all, and most enduring of all, there sprang from all that havoc and disaster the majestic fabric of an India united under a single Crown, governed as we have tried to govern it, and are still trying to govern it, by the principles of justice, truth, and righteousness—a spectacle which, if the entire Empire were to shrivel up to-morrow like a scroll in the fire, would still be a supreme vindication of its existence and its accomplishment in the history of mankind.
George Nathaniel Curzon, 1st Marquess Curzon of Kedleston, (11 January 1859 – 20 March 1925), known as The Lord Curzon of Kedleston between 1898 and 1911 and as The Earl Curzon of Kedleston between 1911 and 1921, was a British Conservative statesman who was Viceroy of India and Foreign Secretary, but who was passed over as Prime Minister in 1923 in favour of Stanley Baldwin. The Curzon Line was named after him.
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If there be any one who says to me that there is no duty devolving upon a Christian Government to preserve the monuments of a pagan art or the sanctuaries of an alien faith, I cannot pause to argue with such a man. Art and beauty, and the reverence that is owing to all that has evoked human genius or has inspired human faith, are independent of creeds, and, in so far as they touch the sphere of religion, are embraced by the common religion of all mankind. Viewed from this standpoint, the rock temple of the Brahmans stands on precisely the same footing as the Buddhist Vihara, and the Mohammedan Musjid as the Christian Cathedral. There is no principle of artistic discrimination between the mausoleum of the despot and the sepulchre of the saint. What is beautiful, what is historic, what tears the mask off the face of the past and helps us to read its riddles and to look it in the eyes—these, and not the dogmas of a combative theology, are the principal criteria to which we must look.
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The race of India branched out and multiplied into that of the great Indo-European family. . . . The Aryans, at a period as yet undetermined, advanced towards and invaded the countries to the west and north- west of India, [and] conquered the various tribes who occupied the land... They must have imposed their religion, institutions, and language, which later obliterated nearly all the traces of the former non-Aryan language, or languages, of the conquered tribes.