Call no day happy 'til it is done; call no man happy til he is dead. - Aleksandr Solzhenitsyn

We, holding Art in our hands, confidently consider ourselves to be its masters; boldly we direct it, we renew, reform and manifest it; we sell it for money, use it to please those in power; turn to it at one moment for amusement — right down to popular songs and night-clubs, and at another — grabbing the nearest weapon, cork or cudgel — for the passing needs of politics and for narrow-minded social ends. But art is not defiled by our efforts, neither does it thereby depart from its true nature, but on each occasion and in each application it gives to us a part of its secret inner light.

Talent is always conscious of its own abundance, and does not object to sharing.

At what point, then, should one resist? When one's belt is taken away? When one is ordered to face into a corner? When one crosses the threshold of one's home? An arrest consists of a series of incidental irrelevancies, of a multitude of things that do not matter, and there seems no point in arguing about one of them individually...and yet all these incidental irrelevancies taken together implacably constitute the arrest.