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I joined the JC a year and a half ago as a monthly columnist because I strongly want there to be a mainstream national Jewish newspaper in this count… - Hadley Freeman
" "I joined the JC a year and a half ago as a monthly columnist because I strongly want there to be a mainstream national Jewish newspaper in this country that represents the plurality of views of Jews in this country.
Most British Jews believe in a Jewish home state, we believe in a two-state solution and we hope for peace in the Middle East. And what it felt like increasingly was the Jewish Chronicle was representing a more ideological rather than strictly journalistic point of view and was becoming far more right-wing and in-step with Netanyahu which I would think that most British Jews are not.
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About Hadley Freeman
Hadley Clare Freeman (born 15 May 1978) is an American British journalist based in London. Since 2022, Freeman has written columns and features for The Sunday Times and previously, from 2000, for The Guardian until her 2022 resignation from the newspaper. She has also contributed to The Jewish Chronicle.
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Hadley Clare Freeman
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Additional quotes by Hadley Freeman
[On a decision Freeman made in her 30s] I just thought: "I’m not going to be scared to say things anymore. I can see all [these things I want to talk about] in front of me. I don't live in Stalinist Russia, I don't live in Nazi Germany. I'm going to write about them... It's been interesting watching who tries to shut it down.
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[Donald] Sutherland was a real man. I don’t mean that in the salacious sense (well, not only in that way). I mean he was part of that great generation of 1970s actors that emerged when Hollywood studios finally realised women didn't only want to watch pretty boys like Robert Redford and Warren Beatty. Glorious joli laid — handsome ugly — actors became the defining look of that decade: Sutherland, Elliott Gould, Dustin Hoffman, Al Pacino, Richard Pryor, Gene Hackman, Jack Nicholson. Men who were masculine, but not necessarily macho. ... (The fact that the rubric for what constitutes beauty for actresses was and remains far narrower than it is for actors is a subject for another day.) These men looked intelligent and they looked filthy, a previously untapped combination in American cinema.
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