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" "So if you think that when you are better, it means that you can smash ahead and mate the guy, you are wrong, that is not what better means. What better means is that your position has the potential, if played correctly, to turn out well. So do not think that when you are better and when you are attacking that you can just force mate. That is not what it is about. Often the way to play best, the way to play within the position, is to maintain it.
Joshua Waitzkin (born 4 December 1976) is an American chess player, martial arts competitor, and author. He is the subject of a major motion picture, Searching for Bobby Fischer, a movie based on the book Searching for Bobby Fischer: The Father of a Prodigy Observes the World of Chess, by his father, Fred Waitzkin.
Biography information from Wikiquote
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In the absence of continual external reinforcement, we must be our own monitor, and quality of presence is often the best gauge. We cannot expect to touch excellence if “going through the motions” is the norm of our lives. On the other hand, if deep, fluid presence becomes second nature, then life, art, and learning take on a richness that will continually surprise and delight. Those who excel are those who maximize each moment’s creative potential — for these masters of living, presence to the day-to-day learning process is akin to that purity of focus others dream of achieving in rare climactic moments when everything is on the line. The secret is that everything is always on the line. The more present we are at practice, the more present we will be in competition, in the boardroom, at the exam, the operating table, the big stage. If we have any hope of attaining excellence, let alone of showing what we’ve got under pressure, we have to be prepared by a lifestyle of reinforcement. Presence must be like breathing.
This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game,