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" "The Sanskrit texts make it clear that a cataclysm on this scale, though a relatively rare event, is expected to wash away all traces of the former world and that the slate will be wiped clean again for the new age of the earth to begin. In order to ensure that the Vedas can be repromulgated for future mankind after each pralaya the gods have therefore designed an institution to preserve them — the institution of the Seven Sages, a brotherhood of adepts possessed of unerring memories and supernatural powers, practitioners of yoga, performers of the ancient rituals and sacrifices, ascetics, spiritual visionaries, vigilant in the battle against evil, great teachers, knowledgeable beyond all imagining, who reincarnate from age to age as the guides of civilization and the guardians of cosmic justice.
Graham Hancock (born 2 August 1950) is a British writer who promotes pseudoarchaeological and other pseudoscientific theories involving ancient civilizations and hypothetical lost lands. He has been the subject of the Netflix series Ancient Apocalypse (2022).
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Shamanism is not confined to specific socio-economic settings or stages of development. It is fundamentally the ability that all of us share, some with and some without the help of hallucinogens, to enter altered states of consciousness and to travel out of body in non-physical realms - there to encounter supernatural entities and gain useful knowledge and healing powers from them.
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I will not delay the reader with lengthy quotations from the very many Taiwanese flood myths that were collected from amongst the indigenous population, primarily by Japanese scholars, in the nineteenth and early twentieth centuries. Typically they tell a story of a warning from the gods, the sound of thunder in the sky, terrifying earthquakes, the pouring down of a wall of water which engulfs mankind, and the survival of a remnant who had either fled to mountain tops or who floated to safety on some sort of improvised vessel.
To provide just one example (from the Ami tribe of central Taiwan), we hear how the four gods of the sea conspired with two gods of the land, Kabitt and Aka, to destroy mankind. The gods of the sea warned Kabitt and Aka: 'In five days when the round moon appears, the sea will make a booming sound: then escape to a mountain where there are stars.' Kabitt and Aka heeded the warning immediately and fled to the mountain and 'when they reached the summit, the sea suddenly began to make the sound and rose higher and higher'. All the lowland settlements were inundated but two children, Sura and Nakao, were not drowned: 'For when the flood overtook them, they embarked in a wooden mortar, which chanced to be lying in the yard of their house, and in that frail vessel they floated safely to the Ragasan mountain.'
So here, handed down since time immemorial by Taiwanese headhunters, we have the essence of the story of Noah's Ark, which is also the story of Manu and the story of Zisudra and (with astonishingly minor variations) the story of all the deluge escapees and survivors in all the world. At some point a real investigation should be mounted into why it is that furious tribes of archaeologists, ethnologists and anthropologists continue to describe the similarities amongst these myths of earth-destroying floods as coincidental, rooted in exaggeration, etc., and thus irrelevant as historical testimony. This is contrary to reason when we know that over a