Rituals are processes of embodiment and bodily performances. In them, the valid order and values of a community are physically experienced and solidified.

Rituals are symbolic acts. They represent, and pass on, the values and orders on which a community is based. They bring forth a community without communication; today, however, communication without community prevails.

Religious ritual invariably offers a sacrificial display of commitment to supernatural agents that is materially costly and emotionally convincing. Such ritual conveys willingness to cooperate with a community of believers by signaling an open-ended promise to help others whenever there is true need. These expensive and sincere displays underscore belief that the gods are always vigilant and will never allow society to suffer those who cheat on their promises. Such a deep devotion to the in-group habitually generates intolerance toward out-groups. This, in turn, leads to constant rivalry and unending development of new and syncretic religious forms.

Ritual provides coherence and significance to traditional narrative as it does to traditional life. Ritual can be defined as a procedure whose purpose is to transform someone or something from one condition or state to another. While most rituals are related in some way to communitas, not all have social relationship and communication as their purpose. Their communitarian aspect derives simply from the nature of the tribal community, which is assumed to be intact as long as the ritual or sacred center of the community is intact. [...] It is not so much an idea of community as it is a tangible object seen as possessing nonrational powers to unite or bind diverse elements into a community, a psychic and spiritual whole. Thus a healing ritual changes a person from an isolated (diseased) state to one of incorporation (health); a solstice ritual turns the sun’s path from a northerly direction to a southerly one or vice versa; a hunting ritual turns the hunted animal’s thoughts away from the individual consciousness of physical life to total immersion in collective consciousness. In tribal traditions beings such as certain people and beasts, the sun, the earth, and sacred plants like corn are in a constant state of transformation, and that transformative process engenders the ritual cycle of dying, birth, growth, ripening, dying, and rebirth. In the transformation from one state to another, the prior state or condition must cease to exist. It must die.

A ritual is the enactment of a myth. And, by participating in the ritual, you are participating in the myth. And since myth is a projection of the depth wisdom of the psyche, by participating in a ritual, participating in the myth, you are being, as it were, put in accord with that wisdom, which is the wisdom that is inherent within you anyhow. Your consciousness is being re-minded of the wisdom of your own life. I think ritual is terribly important.

A ritual is the enactment of a myth.

We can define rituals as symbolic techniques of making oneself at home in the world. They transforming being at home to being in the world. They turn the world into a reliable place. They are to time what a home is to space. They render time habitable.

For ritual allows those who cannot will themselves out of the secular to perform the spiritual, as dancing allows the tongue-tied man a ceremony of love.

*Rituals are also symbolic practices... in the sense that they bring people together to create an alliance, a wholeness, a community."

Christian ritual grew up not as the appropriate and aesthetic expression of spiritual emotions, but as the indispensable means of pleasing and appeasing God, and of securing his favors, temporal and eternal, for those who put their heart into these processes. This Christian ceremonial system does not differ essentially from that against which the prophets protested; with a few verbal changes their invectives would still apply.

The oldest answers to the most basic questions about how to operate are common to virtually every culture on the planet, because at the simplest level, every culture needs to keep order -- especially this kind: (James Burke displays a wedding ring.) This is one of those things in life we protect most against being changed when knowledge changes us. We protect it by turning it into a ritual. When we get married, or buried, get christened, or anything else too important to play by ear, the event is turned into a kind of play where everybody gets a role they act out. It's a kind of public agreement to stick to the general rules about whatever it is. The people doing it are effectively saying, "No matter what else may change, we won't rock the boat! We're not maverick. You can trust us." Expressions of approval follow. Most of these ritual ways of answering a social need that we got from the past look like it. They include something from an ancient rite -- in this case, the old symbol of fertility: the ring. And then, it's all done in the presence of a supernatural being: a God. So, the agreement is also made under what was once a real threat of heavenly retribution if you broke your promise later on. Some things, this ritual says, must be permanent.

Ritual is intimately connected with the mask, either in the wearing that hides the true face, or in the adoption of a public face.

Ritual-based cultures are founded on the primary assumption that the universe is alive and that it is supernaturally ordered. That is, they do not perceive economic, social, or political elements as central; rather, they organize their lives around a sacred, metaphysical principle. If they see a cause-and-effect relationship between events, they would ascribe the cause to the operation of nonmaterial energies or forces. They perceive the universe not as blind or mechanical, but as aware and organic. Thus ritual—organized activity that strives to manipulate or direct nonmaterial energies toward some larger goal—forms the foundation of tribal culture. It is also the basis of cultural artifacts such as crafts, agriculture, hunting, architecture, art, music, and literature. These all take shape and authority from the ritual tradition. Literature, which includes ceremony, myth, tale, and song, is the primary mode of the ritual tradition. The tribal rituals necessarily include a verbal element, and contemporary novelists draw from that verbal aspect in their work.

Ritual society is a society of rules. It is based not on virtues but on a passion for rules.