You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Colour acts in the… - Georges Braque

If we had never met Picasso, would Cubism have been what it is? I think not. The meeting with Picasso was a circumstance in our lives.

What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].. ..was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space.. .This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.. ..In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.

The only valid thing in art is that which cannot be explained. To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm.. .If there is no mystery then there is no 'poetry', the quality I value above all else in art. What do I mean by 'poetry'? It is to a painting what life is to man.. .For me it is a matter of harmony, of rapports, of rhythm and – most important for my own work – of 'metamorphosis'