Since that day, I have slowly acquired the uneasiness about my clothes that characterizes the poor who are ashamed. I was no longer at my ease in any suit: I felt that I was badly dressed and that I attracted the attention of all. I feared, even when wearing a new suit, the mockery of others at my unsuccessful attempts. That is how I became what is known as careful of my clothes.
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I didn’t want any new clothes at all; because if I had to look ugly anyway, I wanted to at least be comfortable. I let the awful clothes affect even my posture, walked around with my back bowed, my shoulders drooping, my hands and arms all over the place. I was afraid of mirrors, because they showed an inescapable ugliness.
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Why are you underdressed?” “Why are you overdressed?” “Why are you too tough?”…“You really don’t have to do all of this for the attention of men, you know” You will feel hurt when you hear these comments, but remember to breathe. Life is always going to test you. When someone comes to you with criticism, neither fair, nor kind, and you gain nothing from it, let it go!
Clothes matter," he said, draping the vest over his arm and reaching for a pile of neatly folded blouses. "Clothes are part of how you learn to feel like yourself, and not someone who just happens to look like you. Don't you remember what it was like when someone else decided what you were going to wear?
Dress and Sensuality.-There are two ways in which fashionable dress leads to unchastity; viz, 1. By its extravagance; 2. By its abuse of the body. How does extravagance lead to unchasitity? By creating the temptation to sin. It affects not those gorgeously attired ladies who ride in fine carriages, and live in brown-stone fronts, who are surrounded with all the luxuries that wealth can purchase-fine apparel is no temptation to such. But to less favored-though not less worthy-ones, these magnificent displays of millenery goods and fine trappings are most powerful temptations. The poor seamtress, who can earn by diligent toil hardly enough to pay her board bill,, has no legitimate admires. Plainly dressed as she must be if she remains honest and retains her virtue, she is scornfully ignored by her proud sisters. Everywhere she finds it a generally recognized fact that “dress makes the lady.” On the street, no one steps aside to let her pass, no one stoops to regain for her the package that slips from her weary hands. Does she enter a crowded car, no one offers her a seat, though she is trembling with fatigue, while the showily dressed woman who follows her is accommodated at once. She marks the difference ; she does not pause to count the chost, but barters away her self-respect, go gain the respect, or deference, of strangers.
Knowing that his audiences are capable of forming bad impressions of him, the individual may come to feel ashamed of a well-intentioned honest act merely because the context of its performance provides false impressions that are bad. Feeling this unwarranted shame, he may feel that his feelings can be seen; feeling that he is thus seen, he may feel that his appearance confirms these false conclusions concerning him. He may then add to the precariousness of his position by engaging in just those defensive maneuvers that he would employ were he really guilty. In this way it is possible for all of us to become fleetingly for ourselves the worst person we can imagine that others might imagine us to be.
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