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And now an hour, maybe, has passed. And they are both drunk: Kenny fairly, George very. But George is drunk in a good way, and one that he seldom ach… - Christopher Isherwood
" "And now an hour, maybe, has passed. And they are both drunk: Kenny fairly, George very. But George is drunk in a good way, and one that he seldom achieves. He tries to describe to himself what this kind of drunkenness is like. Well - to put it very crudely - it's like Plato; it's a dialogue. A dialogue between two people. Yes, but not a Platonic dialogue in the hair-splitting, word-twisting, one-up-to-me sense; not a mock-humble bitching match; not a debate on some dreary set theme. You can talk about anything and change the subject as often as you like. In fact, what really matters is not what you talk about, but the being together in this particular relationship. George can't imagine having a dialogue of this kind with a woman, because women can only talk in terms of the personal. A man of his own age would do, if there was some sort of polarity: for instance, if he was a Negro. You and your dialogue-partner have to be somehow opposites. Why? Because you have to be symbolic figures - like, in this case, Youth and Age. Why do you have to be symbolic? Because the dialogue is by its nature impersonal. It's a symbolic encounter. It doesn't involve either party personally. That's why, in a dialogue, you can say absolutely anything. Even the closest confidence, the deadliest secret, comes out objectively as a mere metaphor or illustration which could never be used against you.
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About Christopher Isherwood
Christopher William Bradshaw Isherwood (26 August 1904 – 4 January 1986) was a British-American writer.
Biography information from Wikiquote
Also Known As
Alternative Names:
Christopher William Bradshaw Isherwood
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Shorter versions of this quote
And now an hour, maybe, has passed. And they are both drunk: Kenny fairly, George very. But George is drunk in a good way, and one that he seldom achieves. He tries to describe to himself what this kind of drunkenness is like. Well - to put it very crudely - it's like Plato; it's a dialogue. A dialogue between two people. Yes, but not a Platonic dialogue in the hair-splitting, word-twisting, one-up-to-me sense; not a mock-humble bitching match; not a debate on some dreary set theme. You can talk about anything and change the subject as often as you like. In fact, what really matters is not what you talk about, but the being together in this particular relationship.
Additional quotes by Christopher Isherwood
As the result of his talks with Gerald and with Gerald’s friend and teacher, the Hindu monk Prabhavananda, Christopher would find himself able to believe — as a possibility, at least — that an eternal impersonal presence (call it "the soul" if you like) exists within all creatures and is other than the mutable non-eternal "person." He would then feel that all his earlier difficulties had been merely semantic; that he could have been converted to this belief at any time in his life, if only someone had used the right words to explain it to him. Now, I doubt this. I doubt if one ever accepts a belief until one urgently needs it. But, although Christopher wasn’t yet aware that he needed such a belief, he may have been feeling the need subconsciously. This would explain his recently increased hostility toward what he thought of as "religion" — the version of Christianity he had been taught in his childhood. Perhaps he was afraid that he would be forced to accept it, at last, after nearly fifteen years of atheism.
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