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And no one would interfere with me because of the loaded gun in my hand. Also, a part of me didn’t give a shit anymore if I was caught or not. I coul… - Victor Villaseñor
" "And no one would interfere with me because of the loaded gun in my hand. Also, a part of me didn’t give a shit anymore if I was caught or not. I could now see that my objective wasn’t just to kill Moses and all these other teachers who had abused us, but for everyone in all the whole world to know why. This wasn’t going to be a surprise attack. This had to be a cold, premeditated act, completely well planned, just as it had been premeditated and well thought out to torture and beat us Mexican kids, starting in kindergarten, so we’d be a people, a gente, with our heads bowed down to authority forever, thinking we were inferior and worthless. I now realized that this was how you enslaved a people. You didn’t just bring them over in chains from Africa. No, you convinced them that they were inferior, not evolved, subhuman, and then when you took off their shackles, so they could go to work, you’d still have them enslaved and shackled inside of their minds for hundreds of years. And this system of teaching was fine with most Anglo teachers, because in the act of convincing us, los Mexicanos and the Blacks, we were subhuman, they’d also convinced themselves that they were superior!
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About Victor Villaseñor
Victor Villaseñor (born May 11, 1940) is a Mexican-American writer, best known for the New York Times Best Seller list novel Rain of Gold.
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Alternative Names:
Víctor Villaseñor
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Additional quotes by Victor Villaseñor
"Papá," I said, "on our first day of school, they screamed at us, 'No Spanish! English only!' Then they slapped Ramón in the face until he was all bloody because he wouldn't stop talking Spanish. And all he was saying was 'Don't yell at me, you're not my mother,' and 'Don't be grabbing me! You have no right to do this.' He was so smart, papá, and so brave and noble, and they kept slapping him, again and again, until his whole face was a bloody mess."
I began to get up at two or three in the morning and work for twelve to fifteen hours a day. I’d get so emotionally drained by the writing, that I’d feel sick at the end of the day. My family became worried about me and they invited a friend, who was a writer in Los Angeles, to see me. He told me that he’d heard how serious I was about my writing, so he was willing to take a little time off of his busy schedule to glance at my work. I gave him the latest version of my manuscript. He took it home and came back to see me the following week. His face was long. He told me that he was sorry to say this but, as a family friend, he had the obligation to be truthful, so he’d tell me straight out that I had no talent. The book was terrible. And also, I was trying to write way beyond my mental capabilities.
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