From a young actor’s perspective, you learn a new set of skills in any movie. I’m only six years away from drama high school. At 23 or 24 you’re learning every day. I was lucky not knowing any of the actors prior, really. There was this unifying ulterior motive to make the movie great. It felt good. Things have to be utilitarian. It’s the healthiest way to approach art and creativity, you know. No ego.

Usually the actor learns them during the day. But as an actress, I have never had a sigh of consternation when I get something complicated. You know how it is when you feel used in a good way.

I have learned so much from every director and actor I have ever worked with. I have been fortunate to have worked with some of the greats of our era and I was always cognizant of the fact that I was getting a free education every time at bat. I think you learn so much from just observing and being privy to the conversations that move the creative process forward.

Study your craft and know who you are and what's special about you. Find out what everyone does on a film set, ask questions and listen. Make sure you live life, which means don't do things where you court celebrity, and give something positive back to our society.

You learn a lot watching that, because so much of what you do in film and television is technical. You could go to acting class until you're blue in the face, but when it really comes down to it, you'd better have that acting training where so much of what you do is actually technical.

You learn to focus on what you do well. Especially if you already have an instinct for acting, training allows you to improve very quickly. It allows you to pinpoint your talents and avoid taking roles as extras or supporting characters that aren't that beneficial to your career.

As I have grown up in the acting world, I have learned a lot about really listening and keeping quiet, even in my own life. Less talk, more listening. It has taught me a lot about life and acting.

I learned that kids are like actors on a set: They want to know that their director gives a shit, has an actual plan and, just maybe, knows what he’s doing. In other words, they want leadership. And you can’t attempt to lead by being all things to all people or a slave to PC society

I don't understand acting. Sometimes I only understand it while I'm doing it, and sometimes not even then. You cannot study acting. You can get new tools to use..., but you can't become something by studying, you just can't. You can become better. But some people can't even do that. They are best when they are very young because they are restless. When the restlessness settles, the acting goes. When acting goes for me, I'll just stop and do something else. I hope I always will get better and better, meaning bigger and bigger and more courageous and deeper and lighter and more flexible. But when it's time to go, it's time to go. There is no use trying to ride a wooden horse.

I keep my mind on it. That's the whole trick, in so far as stage experience goes; keeping right there every second. If I think of anything else for a flash, I'm gone, done for. But at the same time, one can take things in — with another part of your brain, maybe. It's different from what you get in study, more practical and conclusive. There are some things you learn best in calm, and some in storm. You learn the delivery of a part only before an audience.

I learned so much about myself that I didn't know prior. You're just constantly outputting, and giving all you know so you don't have time to look inside of yourself and to really reflect. The four years at drama school really gave me that time and space. I got to know myself much better, I think as not only as an actor, but as a person. I was reassured about my passion for acting. I was more confident coming out of drama school.

You come to a place in your life where you really learn what it is and how it is and what make you tick as an actress. It takes you a long time to learn how to be an actress. It really does. And then you find these buttons that become so accessible to you. And you just push them.

Once you are on set, you have to know your lines and what you are supposed to do because we don’t practice on set, we shoot.

I’ve directed a fair amount of stuff in the past, such as music videos, commercials and short films and I believe that the best way to learn in this industry – I mean, you can go to film school and that’s good – but ultimately, the only way you’re ever going to learn is through raw experience.