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" "The struggle for counterfactual insight—the attempt to see what things might become along a periphery of possible next steps around how things are now—presents us with what at first seems to be a conundrum of the understanding.... If we cannot close the configuration space of the possible states of affairs and bring them all under the regime of a closed and timeless set of laws, we cannot be sure that we shall be able to fight our way back from our flight of causal inquiry to the recovery of the phenomenal world in its visionary immediacy. We shall be unhappy because our consciousness of the world will remain divided between the poetry of experience and the science of nature.... There is an aspect of our mental life in which we enjoy such a reconciliation. However, its presence there instead of reassuring us ought to arouse and disturb us all the more. It should do so both by suggesting what we lack in the remainder of our conscious experience and by implying that the reconciliation is a mirage, never to be grasped. Dreams regularly join two features, the combination of which eludes us in our waking livesː counterfactual insight and visionary immediacy.
Roberto Mangabeira Unger (born 24 March 1947) is a philosopher, politician, and law professor whose writings span the fields of social theory, philosophy of law, economics, religion, science, and general philosophy. Widely known as a key figure in the Critical Legal Studies movement, Unger has developed an intellectual project that proposes changes to political and social structures that would make society and individual lives more open to self-revision, fulfillment, risk-taking and experiment.
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... the impulse of iconoclasmː refusing unconditional reality and value to the contingent and flawed worlds we build and affirming that there will always be more in us, individually and collectively, than there can ever be in them. The most complete expression of this iconoclastic commitment is the development of forms of life and consciousness that provide us with the means and occasions to resist and reform them. In this way, they save us from having to choose between engaging wholeheartedly in them and keeping the last word, of resistance and transcendence, to ourselves.
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The structures of society and culture are fighting turned to stone; they are what comes into existence so long and insofar as we interrupt our practical and ideological struggles over the organization of life in society. When the fighting escalates again, the structures dissolve into the collective action and imagination from which they arose. When we fashion structures design to invite their own reconstruction, we make them into both superior instruments of our power and more faithful reflections of our humanity.