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" "The struggle for counterfactual insight—the attempt to see what things might become along a periphery of possible next steps around how things are now—presents us with what at first seems to be a conundrum of the understanding.... If we cannot close the configuration space of the possible states of affairs and bring them all under the regime of a closed and timeless set of laws, we cannot be sure that we shall be able to fight our way back from our flight of causal inquiry to the recovery of the phenomenal world in its visionary immediacy. We shall be unhappy because our consciousness of the world will remain divided between the poetry of experience and the science of nature.... There is an aspect of our mental life in which we enjoy such a reconciliation. However, its presence there instead of reassuring us ought to arouse and disturb us all the more. It should do so both by suggesting what we lack in the remainder of our conscious experience and by implying that the reconciliation is a mirage, never to be grasped. Dreams regularly join two features, the combination of which eludes us in our waking livesː counterfactual insight and visionary immediacy.
Roberto Mangabeira Unger (born 24 March 1947) is a philosopher, politician, and law professor whose writings span the fields of social theory, philosophy of law, economics, religion, science, and general philosophy. Widely known as a key figure in the Critical Legal Studies movement, Unger has developed an intellectual project that proposes changes to political and social structures that would make society and individual lives more open to self-revision, fulfillment, risk-taking and experiment.
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... the impulse of iconoclasmː refusing unconditional reality and value to the contingent and flawed worlds we build and affirming that there will always be more in us, individually and collectively, than there can ever be in them. The most complete expression of this iconoclastic commitment is the development of forms of life and consciousness that provide us with the means and occasions to resist and reform them. In this way, they save us from having to choose between engaging wholeheartedly in them and keeping the last word, of resistance and transcendence, to ourselves.
For the struggle with the world, ordinary men and women have the spark of the divine. They are embodied spirit, unresigned to belittling circumstance. They can ascend, whether or not with the help of divine grace …. It is not just that the lowly are equal to the lordly and that the vulgar forms of sensibility are as revealing as the hieratic or canonical ones. It is that the lowly and the vulgar are higher. They are higher because they are freer from the posturing and vigilance—over himself and others—that prevent each of us from coming closer to what Shakespeare called the thing itself: unaccommodated man. The more orphaned ordinary men and women are by the established powers of the world, the more reason they have to find the divine within themselves and to struggle against the constraints that established arrangements impose on their rise to a larger life and a higher state of being.
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The imperative of plasticity requires that advances in productive or destructive powers be achieved through the subversion of fixed plans of social division and hierarchy and of stark contrasts between task setting and task following. All possible combinations have to be tried out, as quickly and as freely as possible. The only structure that can be allowed to subsist is one that offers the fewest obstacles to this principle of pitiless recombination.