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" "I should not base it [ the mural-painting 'Madonna della Vallicella' Rubens painted c. 1607] on the estimate of Rome but leave it to the discretion of His Highness [the Duke of Mantua].. ..though the figures [but withdraw it for the light in the church was to strong there] are saints, they have no special attributes or insignia that could not be applied to any other saints of similar rank.
Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish artist. He is considered the most influential artist of Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history.
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Nearby.. ..are monsters personifying Pestilence and Famine, those inseparable partners of War. On the ground, turning her back, lies a woman with a broken lute representing Harmony.. .[T]here is also a mother with a child in her arms indicating that fecundity, procreation and charity are thwarted by War, which corrupts and destroys everything. [Rubens is describing his painting 'The Horrors of War' 1637]
I have not yet made up my mind whether to remain in my own country Flanders or to return forever to Rome.. ..[I have received] an invitation on the most favorable terms.. ..Here they also do not fail to make every effort to keep me by every sort of compliment. The Archduke and the Most Serene Infanta have had letters written urging me to remain in their service. The offers are very generous but I have little desire to become a courtier again.
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[those paintings that are] done entirely by my hand.. ..[those,]done by the hand of a master skillfull in that department.. ..but this one not being finished, would be entirely retouched by my own hand, and by this means would pass as original; done by one of my pupils, but the whole retouched by my hand.