The secret of rulership is to combine a belief in one’s own infallibility with a power to learn from past mistakes. - George Orwell

The thing that drove Dickens forward into a form of art for which he was not really suited, and at the same time caused us to remember him, was simply the fact that he was a moralist, the consciousness of ‘having something to say’. He is always preaching a sermon, and that is the final secret of his inventiveness. For you can only create if you can care. Types like Squeers and Micawber could not have been produced by a hack writer looking for something to be funny about. A joke worth laughing at always has an idea behind it, and usually a subversive idea. Dickens is able to go on being funny because he is in revolt against authority, and authority is always there to be laughed at.

Think of life as it really is, think of the details of life; and then think that there is no meaning in it, no purpose, no goal except the grave. Surely only fools or self-deceivers, or those whose lives are exceptionally fortunate, can face that thought without flinching?

This business of petty inconvenience and indignity, of being kept waiting about, of having to do everything at other people’s convenience, is inherent in working-class life. A thousand influences constantly press a working man down into a passive role. He does not act, he is acted upon. He feels himself the slave of mysterious authority and has a firm conviction that ‘they’ will never allow him to do this, that, and the other. Once when I was hop-picking I asked the sweated pickers (they earn something under sixpence an hour) why they did not form a union. I was told immediately that ‘they’ would never allow it. Who were ‘they’? I asked. Nobody seemed to know, but evidently ‘they’ were omnipotent.