Goethe, whose letters I've been reading very intensively during the past few weeks, is always stressing Verträglichkeit - agreeing to live and let li… - Ida Friederike Görres

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Goethe, whose letters I've been reading very intensively during the past few weeks, is always stressing Verträglichkeit - agreeing to live and let live - as the most important element of friendship: we shouldn't try to change people, but simply let them be as they are, making the best of even partial concord, instead of trying to force a fictitious perfect harmony.

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About Ida Friederike Görres

Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.

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Additional quotes by Ida Friederike Görres

I've just finished a (for me) very important book about the parents (Louis Martin and Zélie Martin) of the Little Flower..It confirms my thesis 100 per cent: that everything claimed by her super-heralds as her direct inspiration, her unique originality, in fact stemmed from inheritance, upbringing and repetition...Most interesting for me is the recognition how alien and remote this bourgeois piety of the late nineteenth century has become, even for cultivated contemporary Catholic writers - a veritable terra incognita; otherwise this so wide-spread legend of Thérèse's uniqueness could never have grown up.

another article by Karl Rahner in Geist und Leben - What he reveals is an issue of the utmost importance: how essential it is for the Christian to recognize a plural, numinous universe, made up of angels, saints, the dead and demons - which are not the same as God...that if this created numinous plurality ceases to be understood as a reality, the very concept of God will be disfigured and distorted..to deny all such powers and figures is just as false, just as ominous as to succomb to them.

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What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?

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