The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics… - J. G. Ballard
" "The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends.
Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.
English
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About J. G. Ballard
James Graham Ballard (15 November 1930 – 19 April 2009) was a British novelist and short story writer who was a prominent member of the New Wave in science fiction. Among his most famous books are the controversial Crash, High-Rise and the autobiographical novel Empire of the Sun, all of which have been adapted to film.
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Native Name:
James Graham Ballard
Alternative Names:
James Graham "J. G." Ballard
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Additional quotes by J. G. Ballard
The core identity is Traven, a name taken consciously from B. Traven, a writer I've always admired for his extreme reclusiveness — so completely at odds with the logic of our own age, when even the concept of privacy is constructed from publicly circulating materials. It is now almost impossible to be ourselves except on the world's terms.
I think the key image of the 20th century is the man in the motor car. It sums up everything: the elements of speed, drama, aggression, the junction of advertising and consumer goods with the technological landscape. The sense of violence and desire, power and energy; the shared experience of moving together through an elaborately signalled landscape. We spend a substantial part of our lives in the motor car, and the experience of driving condenses many of the experiences of being a human being in the 1970s, the marriage of the physical aspects of ourselves with the imaginative and technological aspects of our lives. I think the 20th century reaches its highest expression on the highway. Everything is there: the speed and violence of our age; the strange love affair with the machine, with its own death.
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