Every time I sit down to write a book I feel that I have to start from zero, that I have to re-learn how to write. - Natalia Ginzburg

My Jewish identity became extremely important to me from the moment the Jews began to be persecuted. At that point I became aware of myself as a Jew. But I came from a mixed marriage—my father was Jewish, my mother Catholic. My parents were atheists and therefore chose not to give us, the children, any religious instruction. They were totally non-observant. You might say that a Hebrew spirit dominated the household in the sense that my father had a very strong, very authoritarian character. And I suppose it’s true that many of the family friends were Jews, but many were not. So, while I did not have any sort of formal Jewish upbringing, I nevertheless felt my Jewishness very acutely during the war years (my first husband, Leone Ginzburg, was a Jew) and after the war, when it became known what had been done to the Jews in the camps by the Nazis. Suddenly my Jewishness became very important to me.

Style is not something that can be improvised: one has to construct it, to make it.

if we ourselves have a vocation, if we have not betrayed it, if over the years we have continued to love it, to serve it passionately, we are able to keep all sense of ownership out of our love for our children. But if on the other hand we do not have a vocation, or if we have abandoned it or betrayed it out of cynicism or a fear of life, or because of mistaken parental love, or because of some little virtue that exists within us, then we cling to our children as a shipwrecked mariner clings to a tree trunk.